《The life of Haydn, in a series of letters written at Vienna. Followed by the life of Mozart, with observations on Metastasio, and on the present state of music in France and Italy》封面
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The life of Haydn, in a series of letters written at Vienna. Followed by the life of Mozart, with observations on Metastasio, and on the present state of music in France and Italy

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320
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1

简介

Translation, by R. Brewin, of "Lettres sur le célèbre compositeur Jh. Haydn [etc.]" The life of Haydn is, in the main, a plagiarism of G. Carpani's Le Haydine (Milan, 1812) The biographical part of the Mozart, credited by Beyle to Schlichtegroll, is practically a reproduction of Winckler's Notice biographique sur Jean-Chrystostome-Wolfgang-Théophile Mozart (Paris, 1801) with one anecdote aded from another source. The letter on Metastasio, according to P. Hazard, borrows largely from Baretti. cf. M.H. Beyle. Vies de Haydn, de Mozart et de Métastase; texte étalbi et annoté par Daniel Muller, préface de Romain Rolland (Paris, Champion, 1914); P. Hazard. Vie de Stendhal (Paris, 1927) The notice of Mozart, attributed by Muller to C. Winckler, is by T. F. Winckler. cf. Fétis, Biog. univ. des musiciens. 2. éd. viii, 476; Quérard, France litt., A. Schurig, Wolfgang Amade Mozart (Leipzeig, 1923) I, 11 "Canon cancrizans a 3 voce. Haydn": p. [129]

关于作者

Stendhal

Stendhal

马利-亨利·贝尔(法語:Marie-Henri Beyle,1783年1月23日—1842年3月23日),笔名司汤达(Stendhal),19世纪法国作家,批判现实主义的先驱与代表。他以准确的人物心理分析和凝练的笔法而闻名。其代表作包括《红与黑》(1830年)、《帕尔马修道院》(1839年)等。

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