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Vies de Haydn, de Mozart et de Métastase;

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Français
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358
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First edition published 1814 under the pseud. L. A. C. Bombet, as "Lettres sur le célèbre compositeur Joseph Haydn [etc.]" The life of Haydn is, in the main, a plagiarism of G. Carpani's Le Haydine (Milan, 1812) The biographical part of the Mozart, credited by Beyle to Schlichtegroll, is practically a reproduction of Winckler's Noticebiographique sur Jean-Chrysostome-Wolfgang-Théophile Mozart (Paris, 1801) with one anecdote added from another source. The last letter of the Mozart and the letter on Metastasio ae by Bele. cf. M. H. Beyle, Vies de Haydn, de Mozart et de Métastase; texte établi et annoté par Daniel Muller, préface de Romain Rolland (Paris, Champion, 1914) The notice of Mozart, attributed by Muller to C. Winckler, is by T. F. Winckler. cf. Fétis, Biog. univ. des musiciens. 2. éd. VIII, 476; Quérard, France litt.; A. Schurig, Wolfgang Amade Mozart (Leipzig, 1923) I, 11

The author

Stendhal

Stendhal

Marie-Henri Beyle (French: [maʁi ɑ̃ʁi bɛl]; 23 January 1783 – 23 March 1842), better known by his pen name Stendhal (UK: , US: , French: [stɛ̃dal, stɑ̃dal]), was a French writer. Best known for the novels Le Rouge et le Noir (The Red and the Black, 1830) and La Chartreuse de Parme (The Charterhouse of Parma, 1839), he is highly regarded for the acute analysis of his characters' psychology and considered one of the early and foremost practitioners of realism. Stendhal proclaimed himself an egotist; the neologism for the same characteristic in his characters was "Beylism". Stendhal is also known for De l'amour, his work on "passionate love" in which the concept of "crystallization" was invented. The book was mostly ignored after publishing, but has been lauded posthumously as one of the first "modern" attempts at understanding love. Sharon Brehm, a president of the American Psychological Association, has called Stendhal "a first-rate psychologist before the official term was coined".

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